Inter-Asia Cultural Studies Vol. 4 No. 1 2003
Editorial statement
Introduction: imagining the cinema anew
Ashish Rajadhyaksha & Kim Soyoung
The birth of the local feminist sphere in the global era: “trans-cinema” and Yosongjang
Kim Soyoung
The “Bollywoodization” of the Indian cinema: cultural nationalism in a global arena
Ashish Rajadhyaksha
Hong Kong action film in the Indian B circuit
S. V. Srinivas
The Opium War and the cinema wars: a Hollywood in the greater East Asian co-prosperity sphere
Hana Washitani
Postnational family/postfamilial nation: family, small town and nation talk in Marcos and Brocka
Rolando B. Tolentino
Casting ethnicity: representation of ethnic identities in contemporary Sri Lankan teledrama
Neluka Silva
What is the worth of a movie ticket?
Singapore cinema: Eric Khoo and Jack Neo—critique from the margins and the mainstream
Beng Huat Chua & Wei Wei Yeo
Khmer memories or filming with Cambodia
Sylvie E. Blum-reid
The documentary production process as a counter-public: notes on an inter-Asian mode and the example of Kim Dong-Won
Chris Berry
The search for a “new cinema” in post-colonial Malaysia: the films of U-Wei bin HajiSaari as counter-narrations of national identity
Ibrahim Zawawi
Censor Board’s war on War and Peace
Anand Patwardhan
“Creating and distributing films openly”: on the relationship between women’s film festivals and the women’s rights movement in Taiwan
Yu Shan Huang
Forms of resistance of the Green Team
Chao-Ti Ho
What the World Cup has left us
Won-shik Choi, Hong-jun Kim & Jong-yup Kim