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Inter-Asia Cultural Studies: Movements

　

　

　

　

　

　

　

　

　

Inter-Asia Cultural Studies: Movements

Volume 21 Number 2 June 2020

Editorial

Introduction: art, culture, capitalist development and Kuo Pao Kun

C. J. W.-L. WEE

Interview

What makes theatre modern?: an interview with Kuo Pao Kun by Quah Sy Ren

KUO Pao Kun and QUAH Sy Ren (Translated by WONG Chee Meng, edited by C. J. W.-L. WEE and QUAH Sy Ren)

Articles

Challenges to Asian public intellectuals

KUO Pao Kun (Edited by C. J. W.-L. WEE)

Intellectual consciousness and the negation of the intellectual class: Kuo Pao Kun’s pre-detention drama and its context

QUAH Sy Ren

The feeling of being watched: lived Confucianism and theatricality in Kuo Pao Kun’s mid-1980s monodramas

Paul RAE

Drawing from Grotowski and beyond: Kuo Pao Kun’s discourse on audiences in Singapore in the 1980s

NG How Wee

Beyond national identity: Kuo Pao Kun’s contemporary theatre and an open culture

C. J. W.-L. WEE

Visual essay

Kuo Pao Kun and his theatre

QUAH Sy Ren

Reflexive notes

Robinsonades: pertaining to allegories from the East India Company in Ceylon and other islands, from Marxism to Post-structuralism, and in which, dear reader, a 300-year-old adventure book may still have something to say

John HUTNYK

Asian thoughts

The dialectics of “iron hook” and “tofu”: the shifts in Liang Shuming’s thinking in the 1950s and the “duality” of Chinese socialist practices

Zhen ZHANG, Jia’en PAN, Huiyu ZHANG, Shixuan LUO, and Tiejun WEN

　

Notes for contributors

21.2 visual essay

Vol 10-15 visual essay

Vol 16-20 visual essay

Vol 21- visual essay

Consortium of IACS Institutions

Related Publications

IACS Conferences

visual essay 20.2

Notes for contributors

21.2 visual essay

Vol 10-15 visual essay

Vol 16-20 visual essay

Vol 21- visual essay

Consortium of IACS Institutions

Related Publications

IACS Conferences

visual essay 20.2