Inter-Asia Cultural Studies: Movements

 

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  » Issue contents  2022-11-19 21.2
Inter-Asia Cultural Studies: Movements    Volume 21 Number 2   June 2020

Table of Contents 


Editorial
Introduction: art, culture, capitalist development and Kuo Pao Kun
C. J. W.-L. WEE 

Interview
What makes theatre modern?: an interview with Kuo Pao Kun by Quah Sy Ren
KUO Pao Kun and QUAH Sy Ren (Translated by WONG Chee Meng, edited by C. J. W.-L. WEE and QUAH Sy Ren)

Articles
Challenges to Asian public intellectuals
KUO Pao Kun (Edited by C. J. W.-L. WEE)

Intellectual consciousness and the negation of the intellectual class: Kuo Pao Kun’s pre-detention drama and its context
QUAH Sy Ren

The feeling of being watched: lived Confucianism and theatricality in Kuo Pao Kun’s mid-1980s monodramas
Paul RAE

Drawing from Grotowski and beyond: Kuo Pao Kun’s discourse on audiences in Singapore in the 1980s
NG How Wee

Beyond national identity: Kuo Pao Kun’s contemporary theatre and an open culture
C. J. W.-L. WEE

Visual essay
Kuo Pao Kun and his theatre
QUAH Sy Ren

Reflexive notes
Robinsonades: pertaining to allegories from the East India Company in Ceylon and other islands, from Marxism to Post-structuralism, and in which, dear reader, a 300-year-old adventure book may still have something to say 
John HUTNYK

Asian thoughts
The dialectics of “iron hook” and “tofu”: the shifts in Liang Shuming’s thinking in the 1950s and the “duality” of Chinese socialist practices
Zhen ZHANG, Jia’en PAN, Huiyu ZHANG, Shixuan LUO, and Tiejun WEN

Corrigendum notice
 
 
    

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Notes for contributors

Vol 23.3

22.1 visual essay

Vol 1-10

Vol 11-20

Vol 21-

Vol 10-15 visual essay

Vol 16-20 visual essay

Vol 21- visual essay

IACS Society

Consortium of IACS Institutions

Related Publications

IACS Conferences

A Chronology