Inter-Asia Cultural Studies: Movements Vol. 23 No. 4 December 2022
Special issue: Inter-Asia in Motion: Dance as Method
Guest editors: Emily Wilcox and Soo Ryon Yoon
Table of Contents
Introduction
Editorial Introduction
Emily WILCOX and Soo Ryon YOON
Essays
Choreographing neutrality: dance in Cambodia’s Cold War diplomacy in Asia, 1953-1970
Darlene Machell de Leon ESPENA
Geographies of the classical: Kathak across India and Hong Kong
Ping-hsiu Alice LIN
Inter-Asian dance as method, artistic research as method: Nam Hwayeon’s work on Choi Seung-hee
Jihoon KIM
The aesthetics of intercultural method: from process to procession in New Indonesian and Indo-Australian dance
Sadiah BOONSTRA and Paul RAE
Bharatanatyam and Buddhist diplomacy: Inter-Asia significations in Santha Bhaskar’s Anweshana: The Search for Nalanda
Aparna R NAMBIAR
“The nightingale is a graceful dancer”: Bulbul Chowdhury, dance heritage, and the new nation-state of Pakistan
Priyanka BASU
Dancers in the Japanese entertainment troupe of comfort in the 1940s: traveling along the Burma–China frontline
Yukiyo HOSHINO
Dancing me from south to south: on Wu-Kang Chen and Pichet Klunchun’s intercultural performance
I-Wen CHANG
Japanese dancers, Bollywood dance: finding authenticity at Tokyo’s Namaste India Festival
Kristen RUDISILL
Multicultural dance-making in Singapore: Merdeka, youth solidarity and cross-ethnicity, 1955-1980s
Beiyu ZHANG
Visual Essay
blind spot: media, memory, and resistance
Michael SAKAMOTO
Reflective Essay
Inter-Asia traditional dances in dialogue: reflections on a performance-lecture between Singaporean practitioner-scholars
Muhd Noramin MOHD FARID
Corporeal Politics: Dancing East Asia ed. by Katherine Mezur and Emily Wilcox (review)
Adrianna DIRISIO